Offbeat (1961) - Movie Reviews - Page 22 of 24

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Review of Offbeat (1961)

By Todd Gilchrist (762) for Chiller TV (6) on 10 Mar 2012

At best a placeholder for better films, and a reminder that gimmicks - be they technical or narrative - will get a filmmaker only so far…

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Review of Offbeat (1961)

By James White (109) for SFX Magazine (298) on 02 Mar 2012

While the Devil might have a claim to hold all the best tunes, on the evidence of this, he really needs a word with his film development department…

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Review of Offbeat (1961)

By Ken Mcintyre (132) for Total Film (3,532) on 20 Feb 2012

A low-budget, low-watt belly botherer saved from history's dustbin by a few gruesome moments and a gob-smack of an ending that (almost) makes…

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Review of Offbeat (1961)

By John Beifuss (1,947) for Commercial Appeal (Memphis, TN) (1,944) on 23 Jan 2012

To pad the running time, the end credits roll at a snail's pace; they do reveal the interesting fact that the possessed woman's 'contortionist…

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Review of Offbeat (1961)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 14 Jan 2012

The Devil Inside offers proof, if any were needed, that demons run rampant in Hollywood, possessing otherwise intelligent and creative people…

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Review of Offbeat (1961)

By Peter Travers (3,602) for Rolling Stone (4,035) on 13 Jan 2012

The Devil Inside manages not only to scrape the barrel's bottom but to drill a hole in said bottom and funnel deeper into the scum…

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Review of Offbeat (1961)

By Steve Newton (322) for Georgia Straight (1,078) on 12 Jan 2012

Another feature to remind us all just how brilliant The Exorcist was back in '73 and how almost every possession flick since has paled by comparison…

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Review of Offbeat (1961)

By Jackie K. Cooper (1,018) for jackiekcooper.com (943) on 10 Jan 2012

Makes you appreciate what an excellently made movie The Exorcist was…

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Review of Offbeat (1961)

By Joe Neumaier (1,294) for New York Daily News (5,623) on 10 Jan 2012

It stumbles along to what may arguably be the most abrupt, nonsensical ending since Luis Bunuel stopped slicing cows' eyes for the sake of surrealism…

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Review of Offbeat (1961)

By Gary Dowell (222) for Dark Horizons (452) on 10 Jan 2012

A non-starter that could have been at least a good B-grade horror flick if it had been made with little more conviction…

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Review of Offbeat (1961)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 09 Jan 2012

This is how the world ends: not with a bang or a whimper but with a URL…

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Review of Offbeat (1961)

By Wesley Morris (1,967) for Boston Globe (6,852) on 07 Jan 2012

No one onscreen was actor enough to make us believe we were watching actual people commit or require actual exorcisms…

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Review of Offbeat (1961)

By Brett Michel (122) for Boston Herald (1,433) on 07 Jan 2012

The Vatican doesn't endorse this film or its completion, are the first words to appear on the blank screen that begins this film…

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Review of Offbeat (1961)

By Clark Collis (94) for Entertainment Weekly (6,953) on 07 Jan 2012

While this religio-horror effort does contain some nice scares, and a memorably unnerving turn from Crowley, The Devil Inside's biggest shock…

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Review of Offbeat (1961)

By Mark Olsen (451) for Los Angeles Times (12,977) on 07 Jan 2012

The Devil Inside plays like a horror film conceived on graph paper…

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Review of Offbeat (1961)

By Nick Rogers (786) for The Film Yap (559) on 06 Jan 2012

Despite a handful of fine freak-outs, this exorcise routine rarely elevates the heart rate…

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Review of Offbeat (1961)

By Kevin Carr (1,610) for Fat Guys at the Movies (419) on 06 Jan 2012

According to the advertisements, the Vatican did not endorse The Devil Inside. Smart move, Vatican. It's not that it's a terrible movie…

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Review of Offbeat (1961)

By Paul Chambers (522) for CNNRadio (136) on 06 Jan 2012

Welcome to the freak show…

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Review of Offbeat (1961)

By Rob Vaux (1,125) for Mania.com (396) on 06 Jan 2012

It must be January. The s****y exorcist movies are in bloom…

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Review of Offbeat (1961)

By Thomas Leupp (166) for Hollywood.com (1,014) on 06 Jan 2012

The film devolves into a kind of exorcism-themed Real World episode, replete with confessionals in which the characters tearfully air their…

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