Review of Odd Man Out (1947) by Jonathan Rosenbaum for Chicago Reader — 12 Jan 2010
This may be Reed’s most pretentious film, but it also happens to be one of his very best, beautifully capturing the poetry of a city at night (with black-and-white cinematography by Robert Krasker that’s within hailing distance of Gregg Toland and Stanley Cortez’s work with Orson Welles).
You can read the full review where it was originally posted online.
This review of Odd Man Out (1947) was written by Jonathan Rosenbaum and published by Chicago Reader on 12 Jan 2010.
Odd Man Out has generally received very positive reviews.
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