Review of O Brother, Where Art Thou? (2000) by Christopher — 29 May 2009
"O Brother" is less a nostalgic screwball comedy than a highly contrived satire which emphasises the cruelty and absurdity of human existence. One may find the wanton slaughter of cows, superficially sexualized Sirens, satanic black side kick, mocked/idealized villains, commercial contemporary take on folk music, incidental ties to Greek tragedy, and general aimlessness (tied together with a cute little literal string) to be light-hearted fun, but to see it as repugnant is an equally appropriate reaction.
This is a story of selfishness and stupidity signifying nothing. The characters live in a beautiful world and have zero appreciation for it. This is exemplified by the slick, soulless direction and obvious, ugly digitized cinematography.
"O Brother" can be called nihilistic and smug with perfect reason because, for all it creativity and polish, it is an intentionally aloft meditation on negativity and cynicism. At least "Days of Heaven" seems to have some sense of appreciation for atmosphere and environment even as it utilizes Depression era elements.
Nihilism can be overtly expressed or implied, and "O Brother" wears it less like a badge than like a favorite pair of dirty socks kept in some high drawer, right next to a baby skull paper weight for a pornographic magazine.
Sometimes laughter is a sign of sickness. JAFO (just another ****ing opinion) for what it is worth. Cheers.
This review of O Brother, Where Art Thou? (2000) was written by Christopher on 29 May 2009.
O Brother, Where Art Thou? has generally received very positive reviews.
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