Review of Nosferatu (1922) by Ann D — 02 Aug 2010

Aside from the arresting, wholly original imagery/presence of Max Schreck as Nosferatu, this film is spellbinding, boasting expressive visuals; narrative clarity and fluidity; and perfect performances.

Gustav von Wangenheim and Greta Scroeder are beautiful, winsome protagonists. In fact, they may be my favorite Harker and Mina ever. And the character of Knock is definitely my favorite rendering of Renfield of all time.

Impish and evil, Knock is a vital presence every time he's on camera. As the plot takes us from provincial Germany to the Transylvanian mountains to a troubled ship at sea. Murnau handles the passage of time, multiple narratives in multiple locations, and special effects with great agility and command of tone.

I found the rat imagery gorgeous and relevant to the narrative, as well as the deathly march of the pallbearers. It's interesting that what makes the film so fresh, nearly a century later, is its fearless evocation of all things death, rot, decay- as well as a subtle beautifully simple expression of how human beings, in community and individually, cope with such grave threats.