Review of Nomadland (2021) by Anthony Lane for The New Yorker — 09 Jan 2021
Nomadland is not primarily a protest. Rather, it maintains a fierce sadness, like the look in its heroine’s eyes, alive to all that’s dying in the West.
You can read the full review where it was originally posted online.
This review of Nomadland (2021) was written by Anthony Lane and published by The New Yorker on 09 Jan 2021.
Nomadland has generally received very positive reviews.
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