Review of Nine (2009) by Nathaniel G — 17 Jul 2013
My first viewing was eccelente, but the second viewing felt a bit stagnant. I was really psyched by the trailer, but since I abhor both "8 1/2" and "Chicago" (also helmed by Rob Marshall) and since critics were saying it's a mess, I came into this movie prepared to dislike it. It's messy in places, but the match cut transitions from scene to stage work better here than in "Chicago." The music is lively, and the virtuoso cast deliver virtuoso performances.
Fergie may be a pop star, but make no mistake, she can belt. "Be Italian" is the best singing performance of the film - such drama and yearning. Marion Cotillard gives perhaps the best acting performance. "My Husband Makes Movies" is heartbreaking, and "Take It All" is kinky in a very tragic way. I rather like Kate Hudson's "Cinema Italiano" even though her character is merely a bouffanted yes-woman in the movie unlike in the stage show.
I'm surprised that Penelope Cruz was nominated for a GG though. She's quite sexy and tortured in her non-musical scenes, but her singing voice is a little thin, and she doesn't extend her limbs fully when she dances. Nevertheless, kudos for getting by on pure moxie cuz that's what you really need if you haven't got the pipes or the gams.
Daniel Day-Lewis is serviceable and charismatic, and Judy Dench is certainly a saucy dame. She speaks through a lot of "Folies Bergere," but it works. Nicole Kidman and Sophia Loren are underused, but they're still beautiful and iconic, respectively.
Overall, a brilliant spectacle with a surprisingly moody script that captures much of its source material's existential angst.
This review of Nine (2009) was written by Nathaniel G on 17 Jul 2013.
Nine has generally received mixed reviews.
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