Review of Nina (2016) by Richard Brody for New Yorker — 24 Apr 2016
Respectfully factual in its over-all contours but sensational and sentimental nonetheless, the movie reduces Simone's life to clichés about hope; it replaces the creative drive with the commercial one, the artist with the celebrity.
You can read the full review where it was originally posted online.
This review of Nina (2016) was written by Richard Brody and published by New Yorker on 24 Apr 2016.
Nina has generally received mixed reviews.
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