Nightcrawler (2014) - Critic Reviews - Page 12 of 12

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Review of Nightcrawler (2014)

By Henry Barnes (139) for The Guardian (2,969) on 13 Sep 2014

From a subdued start Nightcrawler unfurls into a ghoulish and wickedly funny satire on journalism, the job market and self-help culture…

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Review of Nightcrawler (2014)

By Scott Foundas (913) for Variety (12,700) on 13 Sep 2014

Touches of apocalyptic comedy run throughout Nightcrawler, but the movie’s overriding tone is one of strident, finger-wagging self-seriousness…

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Review of Nightcrawler (2014)

By Thelma Adams (133) for Yahoo! Movies (43) on 11 Sep 2014

In director Dan Gilroy's sleek crime-thriller, Jake Gyllenhaal has found a role in which he can act against his good looks and buff bod…

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Review of Nightcrawler (2014)

By A.a. Dowd (854) for AV Club (2,778) on 10 Sep 2014

First and foremost, the film is a showcase for its wiry and wired star, and for the fascinatingly amoral anti-hero he brings to life…

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Review of Nightcrawler (2014)

By Mara Reinstein (308) for Us Weekly (308) on 10 Sep 2014

The wildly evocative film proves there's a Lou Bloom lurking inside most of us. He's just the one willing to cross the yellow police tape…

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Review of Nightcrawler (2014)

By Sean O'connell (919) for CinemaBlend.com (1,378) on 10 Sep 2014

It holds a mirror up to a major city in a modern time, but introduces a psychotic, sociopathic tour guide who instantly becomes one for the ages…

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Review of Nightcrawler (2014)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Sep 2014

Gyllenhaal pushes himself even further as the unforgettable Lou Bloom, a sociopath with a pretty solid business plan who taps into a vein of…

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Review of Nightcrawler (2014)

By Chris Tilly (98) for IGN Movies (1,472) on 09 Sep 2014

A thought-provoking and strangely hilarious feature that blends elements of drama and horror with the blackest of comedy, Nightcrawler is a…

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Review of Nightcrawler (2014)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 08 Sep 2014

Gilroy, vastly supported by cinematographer and Los Angeles specialist Robert Elswit (Boogie Nights, Magnolia), directs with the verve of a…

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Review of Nightcrawler (2014)

By Tim Robey (1,578) for Daily Telegraph (UK) (2,495) on 07 Sep 2014

The film’s a satirical thriller, which is a novel enough entity in itself these days; it has a pungent, can’t-miss-the-point premise, and…

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Review of Nightcrawler (2014)

By Tim Grierson (1,482) for Screen International (2,241) on 06 Sep 2014

Dan Gilroy's tonally bold directorial debut can't quite pull together its differing ambitions, resulting in a story that's not entirely satisfying…

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Review of Nightcrawler (2014)

By Jordan Mintzer (201) for Hollywood Reporter (2,966) on 06 Sep 2014

Like his erratic protagonist, Gilroy doesn’t always know when to settle down or call it quits, and the film’s constant shifts of tone can…

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Review of Nightcrawler (2014)

By Lou Lumenick (2,103) for New York Post (6,650) on 06 Sep 2014

In his own twisted way, Lou is just as much a bloodsucker as Dracula, in a horror story that this tabloid veteran can attest is not as far…

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Review of Nightcrawler (2014)

By Sam Woolf (118) for We Got This Covered (2,391) on 05 Sep 2014

Nightcrawler is a fresh, brilliantly led crime thriller that's coated with just enough sleaze to ease consumption, and upset digestion…

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Review of Nightcrawler (2014)

By Chris Bumbray (988) for JoBlo's Movie Emporium (1,959) on 05 Sep 2014

A full-on masterpiece. Darkly funny, frightening, and action-packed. An intriguing neo-noir take on a world most of us are happily oblivious to…

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Review of Nightcrawler (2014)

By Brian Formo (125) for CraveOnline (813) on 05 Sep 2014

Deliciously macabre... Nightcrawler is popcorn snuff…

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Review of Nightcrawler (2014)

By Jason Gorber (520) for ScreenAnarchy (469) on 04 Sep 2014

Deeply philosophical while remaining both captivating and entertaining, Nightcrawler is that rare breed of worm, one with an Art Film heart…

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Review of Nightcrawler (2014)

By Rodrigo Perez (382) for The Playlist (3,871) on 04 Sep 2014

There’s tremendous social and moral texture throughout the drama, but the socio-economic commentary of the movie is fabric, not heavy handed…

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