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Last updated: 05 Jul 2026 at 21:27 UTC

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Review of by Richard Brody for New Yorker — 04 Sep 2014

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Renoir matches the elegance of calm lawmen with their terse courage, Maigret's perspicacity with an astonishing, documentary-style long take of a car chase through back roads in near-total darkness.

You can read the full review where it was originally posted online.

This review of Night at the Crossroads (1932) was written by and published by New Yorker on 04 Sep 2014.

Night at the Crossroads has generally received positive reviews.

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