Review of Nigerian Prince (2018) by Helen T. Verongos for The New York Times — 17 Oct 2018

In Grace’s stifling house, the electricity is dicey and the internet nonexistent. There isn’t a shower or extra bed. Just the third-world glaze of sweat and privation you see everywhere in this richly endowed land of economic imbalance, an atmosphere the film, Faraday Okoro’s feature debut, captures expertly.