Review of Myth of a Colorblind France (2020) by Ben Kenigsberg for The New York Times — 28 Sep 2020
This is a huge subject, and the film, which favors anecdotes over a macro treatment, doesn’t have much structure to speak of. It consists of one brief profile after another — a strategy that is efficient for delivering information, but that leaves Myth of a Colorblind France dry and disarrayed as filmmaking.
You can read the full review where it was originally posted online.
This review of Myth of a Colorblind France (2020) was written by Ben Kenigsberg and published by The New York Times on 28 Sep 2020.
Myth of a Colorblind France has generally received very positive reviews.
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