Mysteries of Lisbon (2010) - Critic Reviews - Page 2 of 2

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Review of Mysteries of Lisbon (2010)

By Cole Smithey (1,865) for ColeSmithey.com (1,853) on 13 Aug 2011

[VIDEO] The mysteries of Lisbon are memories revived in a film that transports its audience back in time…

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Review of Mysteries of Lisbon (2010)

By Sheri Linden (962) for Los Angeles Times (12,977) on 10 Aug 2011

The storytelling is straightforward, with a classical sheen, even as mischief and hallucination puncture the serene surface…

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Review of Mysteries of Lisbon (2010)

By David Edelstein (2,124) for New York Magazine/Vulture (3,519) on 07 Aug 2011

In Mysteries of Lisbon, the prolific Chilean-born director and egghead Raúl Ruiz has achieved something remarkable, at once avant-garde and…

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Review of Mysteries of Lisbon (2010)

By Nora Lee Mandel (401) for Film-Forward.com (768) on 04 Aug 2011

[I]ntimate historical epic. . .of amazingly connected. . .aristocrats [in] flashbacks within flashbacks…

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Review of Mysteries of Lisbon (2010)

By David Noh (869) for Film Journal International (5,095) on 03 Aug 2011

To paraphrase a Jerome Kern song, lovely to look at but less than delightful to know is this lengthy costumer with its pasteboard characters…

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Review of Mysteries of Lisbon (2010)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 02 Aug 2011

This enveloping dream of an epic narrative experiment comes from the great Chilean-born, France-based filmmaker Raúl Ruiz (Time Regained)…

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Review of Mysteries of Lisbon (2010)

By Armond White (604) for New York Press (561) on 02 Aug 2011

If the title suggests soap opera rather than political history, that's part of Ruiz's game -- but it's also why this art project feels overlong…

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Review of Mysteries of Lisbon (2010)

By J. Hoberman (756) for Village Voice (8,525) on 01 Aug 2011

Leisurely and digressive, this generally exhilarating saga (a storm of misadventures per Ruiz) variously suggests Victor Hugo, Stendhal, and…

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Review of Mysteries of Lisbon (2010)

By Deborah Young (235) for Hollywood Reporter (2,966) on 30 Sep 2010

What is left is the sheer joy of storytelling, and willing audiences will find themselves caught up in a what-happens-next page-turner of a film…

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