Review of Murder on the Orient Express (2017) by Kate Taylor for Globe and Mail — 10 Nov 2017
Branagh finally concludes that business with another determined tapping on Poirot's own moral compass but, as his suspects face him, lined up at a trestle table across the entrance to a railway tunnel, the situation, his revelations and theirs, all feel flat and forced.
Both suspense and emotion are curiously absent.
You can read the full review where it was originally posted online.
This review of Murder on the Orient Express (2017) was written by Kate Taylor and published by Globe and Mail on 10 Nov 2017.
Murder on the Orient Express has generally received mixed reviews.
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