Review of Mudbound (2017) by Richard Brody for The New Yorker — 16 Nov 2017
Rees uses voice-overs to bring the many characters to life, but the text is thin; the movie’s exposition is needlessly slow and stepwise, and the drama, though affecting, is literal and oversimplified.
You can read the full review where it was originally posted online.
This review of Mudbound (2017) was written by Richard Brody and published by The New Yorker on 16 Nov 2017.
Mudbound has generally received very positive reviews.
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