Review of Mortal Engines (2018) by Sara Stewart for New York Post — 14 Dec 2018
Most of Mortal Engines is a wearying blast of CGI and genre-cribbing (most egregiously, director Christian Rivers hired composer Junkie XL to seemingly lift, wholesale, his soundtrack from “Mad Max: Fury Road”).
You can read the full review where it was originally posted online.
This review of Mortal Engines (2018) was written by Sara Stewart and published by New York Post on 14 Dec 2018.
Mortal Engines has generally received mixed reviews.
Was this review helpful?
Yes
No
