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Last updated: 08 Jun 2026 at 18:08 UTC

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Review of by Tiberio S — 14 Mar 2017

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What would happen if Stanley Kubrick sent Jack Torrance to space instead of Keir Dullea? is my first thought.

I love that this is a film which never takes itself too seriously in moments where I'm sure many directors would think to overdramatize. Duncan Jones keeps to the moment and we're never flared up too much. I like the even pacing. There's a unique naturalism between the two Sam's, which was unexpected.

Here's a joke within itself: what if Sam Rockwell were stuck in space with himself? It is about capturing that personality in space which is interesting, that's part of the genius of this film. He's a modern Americana actor with a familiar sardonic tone that you can imagine would be torture in isolation. A literal manifestation of another part of himself comes to physical fruition, ouch! Who knows how many clones there are of Sam?

Every time we transition from a satellite perspective, we get the feel that Sam is simply out of control.

At the 50 minute mark, I don't understand why Gerty reveals the truth about Sam's clone. Perhaps it's protocol, under unlikely circumstances that this meeting should occur, so that both clones are desensitized to their apparent lack of significance.

Like most of us, Duncan Jones is a director finding the humane within Kubrickian inspiration. This is a story of self-sacrifice, of rebelling against the constraints of corporate power. It's optimistic, tugs at the heart, and never becomes as much of a horror as the trailer depicts.

This review of Moon (2009) was written by on 14 Mar 2017.

Moon has generally received very positive reviews.

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