Review of Monrovia, Indiana (2018) by Alan Scherstuhl for L.A. Weekly — 01 Nov 2018
Wiseman doesn’t engage with immigration or migrant labor in his town portrait, which helps make Monrovia, Indiana a stubborn entry into his canon. Many of his subjects are invested in the continuity of what they perceive as a timeless American normalcy, but they’re too polite — and cagey — to say what that means on camera.
You can read the full review where it was originally posted online.
This review of Monrovia, Indiana (2018) was written by Alan Scherstuhl and published by L.A. Weekly on 01 Nov 2018.
Monrovia, Indiana has generally received positive reviews.
Was this review helpful?
Yes
No
