Monos (2019) - Movie Reviews - Page 2 of 3

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Review of Monos (2019)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 18 Sep 2019

The violent, beautiful and powerfully watchable movie Monos — Spanish for monkeys — takes its title from the code name used by a group…

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Review of Monos (2019)

By Amheretojudge (1,029) on 17 Sep 2019

It is a film that is not advised to see at night or day or alone, just stand on your toes…

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Review of Monos (2019)

By David Fear (910) for Rolling Stone (4,035) on 17 Sep 2019

There’s a specific, singular madness that this movie conjures up that’s completely its own, a spell it casts that goes way beyond homages…

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Review of Monos (2019)

By Peter19 (1) on 16 Sep 2019

Excellent movie, is a reflection of the violence, adolescence and the drives of life itself in Colombia between war…

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Review of Monos (2019)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Sep 2019

What Landes has done is to revise, and to render yet starker, the premise of “Lord of the Flies.”…

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Review of Monos (2019)

By Pablo_Delrey (4) on 14 Sep 2019

This is a masterpiece this is real Colombian movie. I'm so happy 4 this…

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Review of Monos (2019)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Sep 2019

A fascinating and sometimes frustrating film…

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Review of Monos (2019)

By Turibe78 (1) on 13 Sep 2019

WOW!!! I have never been so shaken by a movie... in an amazing way! The story has a way of pulling you in and taking you a wild ride…

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Review of Monos (2019)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 12 Sep 2019

A dreadlocks-wearing Moises Arias renders a career-best work, and his first in a Spanish-language feature, in the soiled shoes of Bigfoot,…

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Review of Monos (2019)

By Monica Castillo (380) for TheWrap (3,203) on 12 Sep 2019

This is a movie I’ve grown to admire more than I enjoy…

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Review of Monos (2019)

By Glenn Kenny (1,728) for The New York Times (9,847) on 12 Sep 2019

It’s frustrating to see such a sophisticated cinematic apparatus used in the service of such muddled half-ideas…

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Review of Monos (2019)

By A.a. Dowd (854) for The A.V. Club (5,644) on 10 Sep 2019

Monos isn’t a social-issue tract, or just a lament for the beasts of no nation…

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Review of Monos (2019)

By Christopher Gray (138) for Slant Magazine (8,298) on 09 Sep 2019

Alejandro Landes’s film depicts amorality with minimal curiosity and a surplus of numbing stylistic verve…

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Review of Monos (2019)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 03 Sep 2019

Kids train for guerrilla fighting in a gorgeously atmospheric film that feels like a transmission from the future…

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Review of Monos (2019)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Feb 2019

There’s a bicep-flexing quality to Landes’s direction, with its bursts of colour and chaos, its conjuration of a surreal experience out…

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Review of Monos (2019)

By Rory O’connor (154) for CineVue (2,163) on 13 Feb 2019

Nothing short of an aesthete’s dream, a film crammed with visual bravado that at various times echoes Kubrick, Malick, and Coppola’s Apocalypse…

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Review of Monos (2019)

By Jordan Raup (239) for The Film Stage (3,162) on 01 Feb 2019

The viscerality will surely leave one shaken, though they may question if the unceasing sadistic acts on display are worth the experience…

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Review of Monos (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 01 Feb 2019

Aided by “Under the Skin” composer Micah Levi’s thunderous score, Landes delivers a suspenseful encapsulation of alienated youth enmeshed…

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Review of Monos (2019)

By Joe Blessing (34) for The Playlist (3,871) on 01 Feb 2019

Though Monos feels very contemporary aesthetically, its subjects are timeless: the malleability of group dynamics and how subtle changes can…

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Review of Monos (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Feb 2019

This is a gripping, sometimes hypnotising film in which notions of good and evil are less clear-cut than the urgent desire to stay alive…

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