Review of Mon Oncle (1958) by Kane T — 01 Feb 2010
I've only seen three Jacques Tati films, but every time I see a new one, I kick myself for waiting so long to see the next. If I had to pick a cinematic world to live in, it would be hard to pass up Tati's wonderful universe; viewed through the lens of his affable hero, M.
Hulot, his films are pure joy, beginning to end, with a wonderful sense of humor both silly and profound. Tati's style is probably closer to silent film than anything - he uses dialogue little, if ever - but that neglects his majestic filming style, filmed with long takes and a tendency to step back and let the entire scene play out within the frame rather than closing in on the action.
The story is simple to the point of barely existing, but that hardly matters - with no dialogue and just action, Tati creates a wonderful cast of characters, hilarious running gags, wonderful visuals (my absolute favorite moment has to be the night shot of the house with people's heads in the windows - watch the movie and you'll know why), and just a sense of joy and fun at the absurdity of the world.
A wonderful, wonderful movie, and every bit as good as Playtime or Mr. Hulot's Holiday.
This review of Mon Oncle (1958) was written by Kane T on 01 Feb 2010.
Mon Oncle has generally received very positive reviews.
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