Review of Modern Times (1936) by Tjman09 — 01 Oct 2015

Modern Times is a hilarious, and equally brilliant Formalist Film about the rise of technology in the world, and the american dream. Directed, written by, and starring Charlie Chaplin. The film boldly made statements that at the time would have been, very controversial, and remain relevant today. However, the film is at its most impressive when one considers the care, and shear brilliance that went into the making of this film.

It seems straightforward to call Modern Times a Formalist Film, the ideas take clear precedence, while the narrative is very character driven. To further that, it would seem the main purpose of this film is to make a statement, technology and the business like approach of filmmaking are ruining the art form, however it’s ingeniously hidden behind hilarious humor. The fact that the statement is so well hidden makes it all the more powerful when you realize what it is. For instance people who staunchly disagree with that opinion could laugh at, and enjoy this film without even knowing the film is making this statement.

The motifs are ones that don’t age poorly as some may. Chaplin chose such vague areas, that we can watch today and relate many arguments to modern day film issues. For instance the technology argument is still present today in the form of “Digital Filming v. Film Reels”, or “Computer Generated Images v. Practical Effects.”, etc., both modern arguments hold similar issues with the “Talkie v. Silent” argument of the 1930’s.

Chaplin consistently shows motifs such as the outcast being exiled for a more uniform approach (the black sheep imagery helps parallel this), the overly complicated, often dysfunctional way Chaplin sees technology , or his pessimism towards society, through a showing of eternal optimism. It’s similar to when a filmmaker makes you empathize with a character you’ve grown to hate. All of these motifs are subtly hidden under hilarious gags, so they don’t feel preachy, or heavy handed. This approach requires care, and talent, some of the best directors today can’t even send a message as subtly as Chaplin did.

Part of the reason Chaplin did so well hiding his views was his ability to, for the most part argue his point objectively. By that time colors were being used to influence audience opinions, red made audiences feel uncomfortable, while blue emphasized happiness, Chaplin avoided any colors. Not only did Chaplin avoid coloring his film, he showed the contrasting views, something most filmmakers wouldn’t do.

It’s the brilliant subtlety, and balance that makes Modern Times such a great piece of art. Chaplin carefully crafted a film with a message, but made his film enjoyable for all, which is a true accomplishment. It’s truly amazing to see a film that can send a message through the opposite viewpoint, and I can’t stress how truly brilliant it is.