Miss Bala (2019) - Critic Reviews - Page 2 of 2

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Review of Miss Bala (2019)

By Peter Debruge (1,557) for Variety (12,700) on 31 Jan 2019

Miss Bala no longer serves as a critique of a system that might allow innocent people to get caught in the crossfire of the drug war, but as…

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Review of Miss Bala (2019)

By Kimber Myers (423) for The Playlist (3,871) on 31 Jan 2019

Miss Bala fails both when judged on its own merits and when compared to its predecessor…

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Review of Miss Bala (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 31 Jan 2019

It’s understandable that Hardwicke didn’t want to mimic her predecessor’s moves…

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Review of Miss Bala (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 31 Jan 2019

Gareth Dunnet Alcocer's script has a tidy, programmed feel that results in a feel-good version of a grim and sordid modern yarn…

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Review of Miss Bala (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 31 Jan 2019

Gina Rodriguez, who proved in Annihilation that she’s capable of something so much more addled and kinetic than this, does what she can with…

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Review of Miss Bala (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 31 Jan 2019

This version, in the dreariest Hollywood-remake tradition, turns a grim, morally ambiguous story into a fable of empowerment…

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Review of Miss Bala (2019)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 31 Jan 2019

In its entirety, Miss Bala seems to exist merely for one shot near its end: Rodriguez strutting in slow-motion across the screen while wearing…

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Review of Miss Bala (2019)

By Jude Dry (205) for IndieWire (3,631) on 31 Jan 2019

With every note as predictable as the next, the movie just blends into a discordant mess…

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Review of Miss Bala (2019)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 31 Jan 2019

As entertainment, however, the film is calculation impure and simple…

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Review of Miss Bala (2019)

By Jake Cole (292) for Slant Magazine (8,298) on 31 Jan 2019

The Mexico of this film is merely a place of abject lawlessness, whose hellishness exists only to stoke our fascination for how the protagonist…

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