Review of Mirror Mirror (2012) by Danielonfilm — 30 Mar 2012

Like his previous films The Cell and last year's Immortals, Tarsem once again shows a fascination with lavish costume and set design inMirror Mirror, steeped in symbolism. Tarsem reveals a talent for rapid fire dialog and flowing conversational rhythms from his actors.

The dialog, witty, modern, and biting, is the film's strong suit. Furthermore, the plot of Mirror Mirror is lean, organic. Every scene has a purpose, not a moment is wasted. One scene triggers another, like falling dominoes in a series of causes and effects, actions and reactions.

However, Mirror Mirror's chief problem is--who is it supposed to be for? The story itself is a fairy tail--presumably aimed at children--but Tarsem is as fetishistic as ever in Mirror Mirror, and the film runs deep with female libido.

Ultimately, Mirror Mirror defies being either recommended or condemned, but is rather the kind of film that boils down to personal taste. Some adults may find it too simplistic and cartoony, particularly in the bland depiction of Snow White herself, yet others may appreciate it as a kinky, biting satire of fairy tales and fantasy films that subverts traditional gender roles.

It's weird, it's whimsical, and it's definitely not for everyone, but it has a unique sense of itself that could earn it cult status. Full review on my blog.