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Last updated: 25 Jun 2026 at 02:13 UTC

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Review of by Pauline Kael for The New Yorker — 18 Dec 1994

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Gena Rowlands and Seymour Cassel play the title roles in Minnie And Moskowitz, an oppressive and irritating film in which a shrill and numbing hysteria of acting and direction soon kills any empathy for the loneliness of the main characters.

John Cassavetes wrote and directed in his now-familiar home-movie improvisational and indulgent style.

You can read the full review where it was originally posted online.

This review of Minnie and Moskowitz (1971) was written by and published by The New Yorker on 18 Dec 1994.

Minnie and Moskowitz has generally received positive reviews.

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