Review of Minnie and Moskowitz (1971) by Richard Brody for The New Yorker — 09 Sep 2010
The sculptural physicality of the images, a 3-D explosion without glasses, embodies that violence while preserving the antagonists’ innocent grace; love smooths things out to a dreamy and reflective shine.
You can read the full review where it was originally posted online.
This review of Minnie and Moskowitz (1971) was written by Richard Brody and published by The New Yorker on 09 Sep 2010.
Minnie and Moskowitz has generally received positive reviews.
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