Review of Million Dollar Baby (2004) by Bhiveshb. — 02 Jun 2008

The Academy Awards' jury has a tendency to favour those dramatic motion pictures that feature protagonists' lives opersating on many levels. Million Dollar Baby is the winner of Best Motion Picture of 2004 at the 77th Academy Awards, besides winning three more Oscars including the one for Best Performance by an Actress in a Leading Role, played by Hilary Swank.

But for me this movie is chiefly about the anguished life of its male protagonist, Frank Dunn, a senile boxing trainer trying to make amends for his disturbing elusive past. He is guilt-ridden and attends the Mass everyday.

He writes to his (estranged) daughter every week, hoping for a reconciliation with her. And we do not have to wait for long until we find out that his other actions are equally unclear. Their motive(s) is/are never described: (1) He is shown as attending the Mass for twenty-three years, but why he keeps pissing off the Father by asking real inane religious questions is never hinted at.

(2) What is the reason behind his constant attempt to learn Gaelic? We cannot come close to even guess that. Is it his hobby-horse or is it just another minute revelation connected to his unknown past? Answer for yourself.

(3) Why does Frank try to prevent Willie Jones to have his shot, until the latter loses his patience and finally leaves the old trainer ending eight-years of their professional bonding. But one thing ramains clear: Frankie's life experiences really proves that if a life's course is that of his, then indeed "Tough ain't Enough".

What is required in addition to toughness is endurance-an endurnce to fight with your inner demon, to be able to sustain by grappling with melancholy memories, haunting thoughts and a hopeless existence.

Frank Dunn painstakingly manages to do that. What really thrilled me about this movie are not the boxing fights, most of which I believe have been handled amateurishly, but its intense climax. You just quietly (and sadly) watch Maggie's physical condition going from bad to worse, ultimately reaching a deadlock when her existence only indicates a virtual endless death-in-life experience.

This calls for her release in euthanasia, which is given to her by Frank thus increasing his own anguish to its highest level. The act leaves Frank alone and despair, gloomy and with probably a single hope to attain absolution, sooner than later.

But till that hope sustains, he attempts to find a little peace at "a place set in the cedars and oak trees, somewhere between nowhere and goodbye. But that's probably wishful thinking." This psychologically motivating and emotionally engaging movie is worth a watch.