Review of Miles Ahead (2016) by Anthony Lane for The New Yorker — 03 Apr 2016
The whole saga, complete with shootings and a car chase, is cooked up for the film. Meanwhile, when it comes to those with whom Davis worked so fruitfully to forge what he calls “social music,” we get nothing of Dizzy Gillespie or John Coltrane, say, and only the odd glimpse of Gil Evans (Jeffrey Grover).
You can read the full review where it was originally posted online.
This review of Miles Ahead (2016) was written by Anthony Lane and published by The New Yorker on 03 Apr 2016.
Miles Ahead has generally received positive reviews.
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