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Last updated: 27 Jun 2026 at 12:05 UTC

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Review of by Ben Kenigsberg for New York Times — 15 Aug 2018

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A testosterone cocktail of reactionary sound bites and incoherent action that even Michael Bay might have rejected as too amped, Peter Berg’s Mile 22 makes for an appalling referendum on the state of commercial cinema in 2018.

You can read the full review where it was originally posted online.

This review of Mile 22 (2018) was written by and published by New York Times on 15 Aug 2018.

Mile 22 has generally received mixed reviews.

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