Review of Midnight in the Garden of Good and Evil (1997) by Jonathan Rosenbaum for Chicago Reader — 14 Jan 2003
Eastwood essentially uses the Lady Chablis the same way he did a few extended Charlie Parker solos in Bird--as unbridled, inventive improvisations that challenge the well-rehearsed "head" arrangements of everyone else.
You can read the full review where it was originally posted online.
This review of Midnight in the Garden of Good and Evil (1997) was written by Jonathan Rosenbaum and published by Chicago Reader on 14 Jan 2003.
Midnight in the Garden of Good and Evil has generally received positive reviews.
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