Review of Midnight in Paris (2011) by Jonny P — 29 Aug 2012

Shame on me for doubting Woody Allen. After about 15 minutes, my distaste for Owen Wilson made me consider shutting off "Midnight in Paris"... but I should have known that Woody would only cast this typically annoying actor if he was perfect for the role (kind of like in "Marly and Me").

Woody Allen's unmatched witty dialogue finds its perfect fit in this throwback to the cultural icons of the 1920's. A familiarity with the artists, musicians, and literary world of 1920's Paris is a prerequisite for enjoying this film.

As the main character travels back in time at midnight each night, he is immersed into the world of these historical figures. A knowledge of their lives, accomplishments, and even stereotypes elevates this script that is filled with allusions.

The idea of time-travel seems rather random for the majority of the film, until it perfectly ties in with the main theme of never being satisfied with the present and always looking back to 'better days.

In fact, this entire premise is far-fetched yet entirely believable and I never questioned it for a moment during the story. Highlights of the film include Adrien Brody as Salvador Dali, which provided some of that traditional Woody Allen humor, as well as the fate of the French detective, who we forget about until the final few minutes of the story.

Kathy Bates is stunning as Gertrude Stein and who can resist the lovely and sophisticated Marion Cotillard. Woody pokes fun at some of the trends of the time, such as when Wilson describes his time travel to a group of surrealists that see nothing illogical about his plight.

I found myself growing very angry with Rachel McAdams when I realized that she played this role so perfectly. She is the X-factor that explains why Gil is always searching for a better age to live in, and the subtlety in her childish actions led me to be as annoyed as the main character.

This was a great way to create empathy for the main character. I love that, amidst the clever and humorous atmosphere of this film, Woody really makes a bold statement about appreciating the setting in which we live and the misconception that the grass is greener on the other side.

Combined with a catchy 1920's score full of old favorites and beautiful shots of Paris, it is no surprise that I was left with a big, cheesy smile on my face as the end credits began to role.