Review of Midnight in Paris (2011) by Derek T — 17 Feb 2013

Woody Allen's best film in years is arguably also one of his least neurotic films. Allen dispenses with much of the frantic nature of his filmography, eschewing it for a more relaxed, romantic escapade into Paris and a nostalgic view of art and literature.

The way in which Allen draws in a wide variety of artistic figures from the Roaring Twenties is enjoyable and meaningful, and it provides an interesting launching pad for further examination of some of the 20th century's most lively personalities.

There is a joy present on the part of the actors in the performances of these iconic figures, and the result is a fun film. Allen's commentary on romanticizing the past is well-delivered and well-timed, and it works well within the construct of the movie, as well as providing an interesting critique not only on the current state of cinema but also of Allen's filmography - and I'm sure someone has already worked this idea into a Master's thesis.

Midnight in Paris is a fun, vibrant, entertaining film, and I look forward to returning to it in the future.