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Last updated: 06 Jun 2026 at 16:54 UTC

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Review of by Owen Gleiberman for Entertainment Weekly — 29 Mar 2011

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Even as a kid, I could see that Midnight Cowboy’s true subject isn’t decadence but loneliness...Midnight Cowboy’s peep-show vision of Manhattan lowlife may no longer be shocking, but what is shocking, in 1994, is to see a major studio film linger this lovingly on characters who have nothing to offer the audience but their own lost souls.

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This review of Midnight Cowboy (1969) was written by and published by Entertainment Weekly on 29 Mar 2011.

Midnight Cowboy has generally received very positive reviews.

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