mid90s (2018) - Movie Reviews - Page 10 of 14

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Review of mid90s (2018)

By Andrew Parker (194) for The Gate (178) on 24 Oct 2018

Mid90s mostly feels like a cultural experiment for Hill…

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Review of mid90s (2018)

By Dann Gire (642) for Chicago Daily Herald (649) on 24 Oct 2018

Hill wants none of that canned Hollywood product. His authentic characters, created from grit and scratch, don't need a splashy ending…

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Review of mid90s (2018)

By Jonathan W. Hickman (551) for Daily Film Fix (355) on 24 Oct 2018

A slice of life, a bit of uncomfortable truth, actor turned director Jonah Hill builds a convincing world, but doesn't really know how to make…

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Review of mid90s (2018)

By Cary Darling (452) for Houston Chronicle (970) on 24 Oct 2018

Not a lot happens in Mid90s but as a slice of teenage life, it feels almost like a documentary from that time, full of well-observed - if foul-mouthed…

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Review of mid90s (2018)

By Rafer Guzman (1,080) for Newsday (2,345) on 24 Oct 2018

A terrific coming-of-age film from first-time director Jonah Hill. Sharp-eyed, tender and wise…

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Review of mid90s (2018)

By Lorry Kikta (141) for Film Threat (5,156) on 24 Oct 2018

Go see this movie…

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Review of mid90s (2018)

By Kerry Lengel (223) for Arizona Republic (3,909) on 24 Oct 2018

Hill isn’t offering a sociological treatise. Mid90s is all about lived experience…

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Review of mid90s (2018)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 24 Oct 2018

For most of the ride, Mid90s feels like an accurate time capsule — and a relatable journey even if you’ve never been on a skateboard in your life…

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Review of mid90s (2018)

By Ann Hornaday (1,919) for Washington Post (9,851) on 24 Oct 2018

Mid90s” is often painful to watch as Stevie puts himself through the punishing rituals of proving his street bona fides…

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Review of mid90s (2018)

By Katie Walsh (1,279) for The Seattle Times (964) on 24 Oct 2018

The film is an achievement in authentic world-building, but you can’t shake the feeling that what Mid90s does say isn’t perhaps what Hill…

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Review of mid90s (2018)

By Mark Dujsik (2,093) for Mark Reviews Movies (2,037) on 24 Oct 2018

[T]he film leaves a strong impression of what it was like to be young and uncertain and searching for some place, some friends, and something…

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Review of mid90s (2018)

By Sam Adams (514) for Slate (2,081) on 24 Oct 2018

It certainly doesn’t work in Mid90s’ favor that it is the third movie released in the past two months to focus on an outsider with a turbulent…

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Review of mid90s (2018)

By John T (2,122) on 24 Oct 2018

I was a little nervous when I read that Jonah Hill was writing and directing a skateboarder drama…

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Review of mid90s (2018)

By Tropicaces (322) on 24 Oct 2018

It’s a little aimless and has only one sympathetic character, but there are a few scenes that make me excited for Jonah Hill’s future as…

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Review of mid90s (2018)

By Frank Swietek (3,473) for One Guy's Opinion (3,473) on 24 Oct 2018

A loose, limber coming-of-age vignette about a Los Angeles kid who escapes his nasty home life by bonding with a pack of streetwise skateboarders...it…

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Review of mid90s (2018)

By Moviemitch96 (552) on 24 Oct 2018

The mid90s is the era I was born in, so a big part of my excitement for this film prior to seeing it was the nostalgia factor that I was really…

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Review of mid90s (2018)

By Brian Orndorf (4,059) for Blu-ray.com (2,093) on 23 Oct 2018

A rough sketch of a film, but it's compellingly made and acted, with Hill only offering small storytelling challenges for himself, more invested…

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Review of mid90s (2018)

By Gary Thompson (1,554) for Philadelphia Daily News (1,596) on 23 Oct 2018

It plays like a sort of updated Our Gang, if Spanky and the lads had used obscene and forbidden language…

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Review of mid90s (2018)

By Jake Coyle (526) for Associated Press (1,685) on 23 Oct 2018

A pair of other recent films — “Minding the Gap,” ″Skate Kitchen” — better explored the camaraderie and freedom of skater culture…

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Review of mid90s (2018)

By Kiko Martinez (245) for San Antonio Current (241) on 23 Oct 2018

[Director Jonah] Hill proves he's operating from a place of purity, compassion and meaningful emotion…

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