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mid90s (2018) - Critic Reviews - Page 5 of 7

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Review of mid90s (2018)

By Todd Gilchrist (762) for Moviefone (33) on 21 Oct 2018

A film so committed to accurately portraying the lifestyle and community that it depicts that you wouldn't be surprised if the crew skinned…

Review of mid90s (2018)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Oct 2018

Mid90s becomes, in full flower, a movie with characters more interesting or unusual than its very conventional story and setting, not a bad…

Review of mid90s (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

The combination of this film's cast, milieu, and remarkable soundtrack offers something overwhelmingly, even embarrassingly, recognizable…

Review of mid90s (2018)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 18 Oct 2018

The not-so-good news is that Mid90s never quite manages to make an impact, in part because it gives us so little to hang onto with the characters…

Review of mid90s (2018)

By Rendy Jones (321) for Rendy Reviews (320) on 18 Oct 2018

Serves as a great welcoming of Jonah Hill as a director as he provides a relatively mature and raw coming of age tale…

Review of mid90s (2018)

By Robert Levin (797) for amNewYork (559) on 18 Oct 2018

An authentically naturalistic depiction of rebellious youth culture on the city's gritty, wayward streets…

Review of mid90s (2018)

By David Potvin (1) for Under the Radar (636) on 18 Oct 2018

In Mid90s, realism lends a hand to an over-arching dramatic tone, but the film is punctuated by occasional laugh-out-loud moments, as well…

Review of mid90s (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 18 Oct 2018

What works best about Mid90s is what’s casual about it—but what makes it verge on being genuinely original is all the weirdo stuff at the…

Review of mid90s (2018)

By Kalyn Corrigan (14) for ComingSoon.net (2,031) on 18 Oct 2018

This may be his first feature as a director, but Jonah Hill has already proven himself as a force to be reckoned with…

Review of mid90s (2018)

By Mark Jackson (231) for Epoch Times (337) on 18 Oct 2018

A third star is born. In a matter of weeks, Hill, like Bradley Cooper in directing and Lady Gaga in acting -- has also aced his directorial debut…

Review of mid90s (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 18 Oct 2018

The strength of Mid90s lies in its small observations about a very tight sub-culture, and what that sub-culture provided its most devoted adherents…

Review of mid90s (2018)

By Nick Schager (2,294) for Film Journal International (5,095) on 17 Oct 2018

Better than mid90s’ treatment of adults is its evocation of the euphoria that comes from discovering one’s place in the world, and confidence—highlighted…

Review of mid90s (2018)

By Scott Tobias (1,684) for NPR (1,713) on 17 Oct 2018

The best period pieces, like Dazed and Confused or American Graffiti or Diner - to name three…

Review of mid90s (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 17 Oct 2018

Whether Hill’s debut as a writer-director is drawn entirely, or partly, from personal experience seems a moot point: there’s a sufficient…

Review of mid90s (2018)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 17 Oct 2018

Hill’s made an unabashed love letter to a particular decade, sure, but also to a specific moment in everyone’s life…

Review of mid90s (2018)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 17 Oct 2018

Mid90s possesses just enough sensitivity and feeling to make you wish it had more…

Review of mid90s (2018)

By Jordan Hoffman (1,025) for The Guardian (2,969) on 17 Oct 2018

There are scenes that snap together nicely with some sharp and nuanced observations…

Review of mid90s (2018)

By Brad Gullickson (3) for Film School Rejects (1,198) on 17 Oct 2018

We get snuggly as Jonah Hill wraps a warm blanket around his childhood…

Review of mid90s (2018)

By Steve Katz (19) for Bullz-Eye.com (1,091) on 17 Oct 2018

Mid90s feels like an exercise in nostalgia and nothing more…

Review of mid90s (2018)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 17 Oct 2018

The movie is nostalgia, pure and simple, unfettered by examination. Even its title is fuzzy and vague…

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