Review of Michael Collins (1996) by Anthony Lane for The New Yorker — 17 Apr 2000
The strength of the movie resides mainly in the work of its cameraman, Chris Menges, who delivers a barrage of images as rousing and changeable as the fortunes of Collins himself.
You can read the full review where it was originally posted online.
This review of Michael Collins (1996) was written by Anthony Lane and published by The New Yorker on 17 Apr 2000.
Michael Collins has generally received positive reviews.
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