Review of Meshes of the Afternoon (1943) by Richard Brody for New Yorker — 21 Apr 2013
Deren is one of the great screen presences; with her billowing hair and lugubrious gaze, she incarnates the eternal bohemian, rendering morbidity alluring and turning the air of idealistic purpose into a dance of seduction.
You can read the full review where it was originally posted online.
This review of Meshes of the Afternoon (1943) was written by Richard Brody and published by New Yorker on 21 Apr 2013.
Meshes of the Afternoon has generally received very positive reviews.
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