Review of Merry Christmas (2013) by Neil Genzlinger for The New York Times — 05 Dec 2013
One of those who’s-the-murderer parlor games is a plot pillar of Merry Christmas, an experiment in filmmaking by Anna Condo that itself feels like a parlor game, and not a particularly entertaining one.
You can read the full review where it was originally posted online.
This review of Merry Christmas (2013) was written by Neil Genzlinger and published by The New York Times on 05 Dec 2013.
Merry Christmas has generally received mixed reviews.
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