Review of Memphis (2014) by Clayton Dillard for Slant Magazine — 31 Aug 2014
The film's music is the city itself as well as a subtle suggestion that Tim Sutton's own digital cinema is just as elusive and intangible as Willis's unwavering sense of dissatisfaction.
You can read the full review where it was originally posted online.
This review of Memphis (2014) was written by Clayton Dillard and published by Slant Magazine on 31 Aug 2014.
Memphis has generally received mixed reviews.
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