Review of Memoirs of a Geisha (2005) by Filipeneto — 23 Aug 2018

This movie is a dive into the world of Japanese Geishas. Its a misunderstood profession, full of mysteries even today. However, the film makes everything wonderfully enjoyable, emotional, so intense and engaging that I almost didn't feel the two and a half hours the movie takes. The story begins when young Chyio is sold by her parents to a geisha house. At once, it shows the drama of the separation, and we almost feel the child's excruciating pain in the incessant search for her sister, who quickly becomes the last family she feels she has. Then it will end, as Chyio takes his only remaining path of life: the life in the geisha house, ​​learning their profession by initiative of a mature geisha, who takes her as an apprentice. Other strong themes of the plot are the envy, rivalry between geishas and the difficulty they have to keep a romantic life since they're expected to be single and not behave like prostitutes. In any case, the plot captivates our attention and Chyio, later Sayuri, becomes a character the audience is able to empathize with.

Despite having a good Eastern cast, mostly female, the highlight goes to Ken Watanabe, Ziyi Zhang, Suzuka Ohgo and Li Gong. Watanabe is virtually the only sounding name for western audiences, as he has a solid career in Hollywood, but the three female actresses I mentioned have brightened more than he did, as their characters have more presence and prominence than his Administrator. Li Gong is truly hateful as a villain, while the two actresses are the children's/adult version of Chyio/Sayuri. Cinematography, costumes, make-up and art direction are also brilliant and deserves to be congratulated. The film is visually magnificent, and the audience truly understands the effort made to make it realistic and believable. Mistakes or problems? In my opinion, perhaps just the difficult of reconciling English dialogue with specific Japanese terms. If they're terms without strict translation to English this is perfectly understandable. Anyway, since I watched the film with subtitles for European Portuguese, this linguistic issue didn't represent a problem for me, although I admit that English-speaking audiences may feel some difficulty with Japanese terms they don't know.