Review of Memento (1967) by Peter Rainer for New York Magazine/Vulture — 25 Sep 2002
Nolan sustains an arty note of existential dread that probably will work better for noir-steeped film critics and overserious philosophy grad students than for general audiences, but he brings off a few brisk bravura moments.
You can read the full review where it was originally posted online.
This review of Memento (1967) was written by Peter Rainer and published by New York Magazine/Vulture on 25 Sep 2002.
Memento has generally received very positive reviews.
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