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Last updated: 22 Jul 2026 at 11:39 UTC

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Review of by Matt G — 18 Jul 2011

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Just saw this for the first time recently. Scorsese's first film seems to be only concerned with a few cinematic elements - Queens criminal culture, character, formalistic experiments with time - and it makes the film really youthful, rough around the edges, and full of energy.

I could almost see the events of the story being rambled to me by Scorsese himself (in a way I'd imagine the same for Tarantino's movies), and I like that a lot. In a way, it's one of his best because it's so perfectly encapsulates a lot of the essence of his work, without the limitations of coherency, if that makes any sense.

What he gets is this, a film most similar to Goodfellas in its clear moral stance toward its characters, but without the heavyhandedness of such a film. This is something much more recklessly subtle. Not as powerful as something like Taxi Driver or King of Comedy, but it has moments of character honesty and authenticity I felt Goodfellas, The Aviator, or Gangs of New York never attempted.

This review of Mean Streets (1973) was written by on 18 Jul 2011.

Mean Streets has generally received very positive reviews.

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