Review of McQueen (2018) by Michael O'sullivan for Washington Post — 30 Jul 2018
McQueen makes the case that its subject was an artist whose clay was clothing. It also, despite giving short shrift to psychoanalysis, reminds us that everything you might want to know about the artist can be found in the art.
You can read the full review where it was originally posted online.
This review of McQueen (2018) was written by Michael O'sullivan and published by Washington Post on 30 Jul 2018.
McQueen has generally received very positive reviews.
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