Para Hitler, o mundo era sua tela; e o horror, seu pincel. E Max retrata este fato com elegante abandono, numa triste constatação da realidade histórica.
You can read the full review where it was originally posted online.
This review of Max (2000) was written by Pablo Villaça and published by Cinema em Cena on 13 Dec 2002.
Max has generally received mixed reviews.
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