Review of Maudie (2016) by Jeffrey Edalatpour for KQED (San Francisco) — 17 Sep 2017
In all of Maud's unfailingly cheerful oeuvre, Walsh found she never painted a self-portrait. Maudie is the result of the director's desire to fill that gap.
You can read the full review where it was originally posted online.
This review of Maudie (2016) was written by Jeffrey Edalatpour and published by KQED (San Francisco) on 17 Sep 2017.
Maudie has generally received very positive reviews.
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