Review of Masterminds (2016) by Richard Brody for New Yorker — 29 Sep 2016
Asides, glances, pauses, silences, double takes, and false starts-Hess catches an extraordinary range of wondrous humanity within the extravagant theatrics of his wildly self-presenting actors.
You can read the full review where it was originally posted online.
This review of Masterminds (2016) was written by Richard Brody and published by New Yorker on 29 Sep 2016.
Masterminds has generally received mixed reviews.
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