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Last updated: 07 Jun 2026 at 06:53 UTC

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Review of by Wesley Morris for The New York Times — 13 Dec 2018

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The more time Khaled’s camera takes to wend its way around Hassane’s suspended body, the more its caresses seem to match all the embracing and caressing Hassane’s friend does. And the more time the movie devotes to the parts of this one man’s body the more that care seems to stand in for a country’s neglected whole.

You can read the full review where it was originally posted online.

This review of Martyr (2018) was written by and published by The New York Times on 13 Dec 2018.

Martyr has generally received positive reviews.

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