Review of Marnie (1964) by Dave Kehr for Chicago Reader — 20 Mar 2012
The mise-en-scene tends toward a painterly abstraction, as Hitchcock employs powerful masses, blank colors, and studiously unreal, spatially distorted settings. Theme and technique meet on the highest level of film art.
You can read the full review where it was originally posted online.
This review of Marnie (1964) was written by Dave Kehr and published by Chicago Reader on 20 Mar 2012.
Marnie has generally received positive reviews.
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