Review of Mandy (2018) by Dom Sinacola for Paste Magazine — 12 Sep 2018
As was the case in Cosmatos’s first film, the comparatively sedate Beyond the Black Rainbow, each frame, every shot of Mandy reeks of shocking beauty, stylized at times to within an inch of its intelligibility, but endlessly pregnant with creativity and control, euphoria and pain, clarity and honesty and the ineffable sense that Cosmatos knows exactly how and what he wants to subconsciously imprint into the viewer.
You can read the full review where it was originally posted online.
This review of Mandy (2018) was written by Dom Sinacola and published by Paste Magazine on 12 Sep 2018.
Mandy has generally received positive reviews.
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