Review of Man with a Movie Camera (1929) by Tom Huddleston for Time Out — 26 Jul 2015
Vertov’s experimental essay proclaims its ‘complete separation from the language of theatre and literature’ in the opening titles. What follows is cinema in its purest form: movement, sensation, action and visual trickery.
You can read the full review where it was originally posted online.
This review of Man with a Movie Camera (1929) was written by Tom Huddleston and published by Time Out on 26 Jul 2015.
Man with a Movie Camera has generally received very positive reviews.
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