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Mama (2013) - Movie Reviews - Page 47 of 50

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Review of Mama (2013)

By Christopher Lloyd (287) for Sarasota Herald-Tribune (239) on 18 Jan 2013

The filmmakers manage that rare trick of weaving a pervasive blanket of dark mood, an almost suffocating sense of dread that sets up the boo-gotcha…

Review of Mama (2013)

By Bill Gibron (1,013) for PopMatters (2,617) on 18 Jan 2013

Director Andres Muschietti has taken his celebrated short and expanded it out over 100 unnecessary minutes…

Review of Mama (2013)

By Witney Seibold (272) for CraveOnline (813) on 18 Jan 2013

Fun ghost story, awesome monster, and Jessica Chastain dressed as Joan Jett. What more could you want…

Review of Mama (2013)

By Ethan Alter (997) for Television Without Pity (337) on 18 Jan 2013

The middle section of the film just drags on and on, as Mama lurks about the house popping out an inopportune moments while Muschietti stalls…

Review of Mama (2013)

By Luke Y. Thompson (1,447) for The Robot's Voice (149) on 18 Jan 2013

Make no mistake, on the primal level that it needs to, Mama works one hundred per cent; I can't recall being this scared in a movie since the…

Review of Mama (2013)

By Eric Melin (822) for Lawrence.com (115) on 18 Jan 2013

The visual effects and sound design are unique, and a pleasure to watch, even when the suspense isn't really working…

Review of Mama (2013)

By Betsy Sharkey (695) for Los Angeles Times (12,977) on 18 Jan 2013

Beautifully envisioned, badly constructed, the only truly terrifying things in the new horror movie Mama are the fake tattoos, short black…

Review of Mama (2013)

By Staci Layne Wilson (667) for Yahoo! Movies (43) on 18 Jan 2013

I rather liked the first half - but, caution: cliches abound, and don't go in expecting much based on the much-bandied Guillermo del Toro name…

Review of Mama (2013)

By Tom Long (1,693) for Detroit News (2,682) on 18 Jan 2013

There's something eerily effective about juxtaposing childhood innocence with the violent, the supernatural, the deranged…

Review of Mama (2013)

By Kyle Smith (1,916) for New York Post (6,650) on 18 Jan 2013

First-time writer-director Andy Muschietti, an Argentine discovered by Guillermo del Toro, relies too much, especially in the early going,…

Review of Mama (2013)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 18 Jan 2013

There's something dead and rotting at the center of Mama, and it isn't the ghost of the woman who lends the horror film its title…

Review of Mama (2013)

By Clint O'connor (453) for Cleveland Plain Dealer (828) on 18 Jan 2013

Minus the blood, gore and carving devices of many horror films, Andres Muschietti's feature debut provides plenty of scares and jolts…

Review of Mama (2013)

By Susan Granger (2,214) for SSG Syndicate (1,551) on 18 Jan 2013

Spooky, supernatural and grotesquely stylish - with a silly, contrived conclusion…

Review of Mama (2013)

By Jim Judy (1,199) for Screen It! (1,437) on 18 Jan 2013

If you like your scares to be of the traditional variety, this might just be right up your alley…

Review of Mama (2013)

By Kurt Loder (858) for Reason Online (497) on 18 Jan 2013

A very stylish ghost story with more on its mind than the usual slash-and-bleed horror flick…

Review of Mama (2013)

By Mike Scott (1,178) for Times-Picayune (642) on 18 Jan 2013

It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the…

Review of Mama (2013)

By Rob Vaux (1,125) for Mania.com (396) on 18 Jan 2013

Muschietti definitely has a future in this genre if he chooses to pursue it…

Review of Mama (2013)

By Mark Dujsik (2,093) for Mark Reviews Movies (2,037) on 18 Jan 2013

[T]he screenplay runs around in circles…

Review of Mama (2013)

By Gary Wolcott (857) for Tri-City Herald (818) on 18 Jan 2013

Two-thirds of the way through Mama a psychiatrist hypnotizing a little girl asks her if she's asleep. Yes, she says…

Review of Mama (2013)

By Greg Maki (546) for Star-Democrat (Easton, MD) (546) on 18 Jan 2013

Cliches mount until the climax, which is strangely satisfying and anything but the happily-ever-after conclusion we have been bred to expect…

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