Review of Madeline's Madeline (2018) by A.o. Scott for The New York Times — 08 Aug 2018
If Madeline’s Madeline is sometimes unconvincing and frequently unnerving, it is never uninteresting. In its final moments it ascends into heady, almost visionary territory, like a balloon caught in a sudden updraft, and becomes a singular and strange experience.
You can read the full review where it was originally posted online.
This review of Madeline's Madeline (2018) was written by A.o. Scott and published by The New York Times on 08 Aug 2018.
Madeline's Madeline has generally received positive reviews.
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